Showing posts with label Ben Wheatley. Show all posts
Showing posts with label Ben Wheatley. Show all posts

Thursday, 4 July 2013

A Field Near You


From July 5th, Ben Wheatley's new film 'A Field In England' will be available to watch in cinemas, on Film Four, on DVD and Blu Ray and on things called Video On Demand sites. 

Wheatley is the most exciting film prospect this country has had in years, and I find the promise of his latest work, with its 'Witchfinder General' hats, magick, mushrooms and madness, so exciting that I shall be going to bed early tonight just to make tomorrow come quicker.



Just in case you're still not decided, here's a trailer that Julian House did for it. The first time I saw this I had to hold onto something to stop myself from swooning. 

Saturday, 20 April 2013

Death Has A Ginger Beard


‘Sightseers’ is, in many ways, the perfect ‘Island of Terror’ film. It’s dark and funny and its locations are camp sites, roadside cafes, ruined abbeys, viaducts, slate mines, owl sanctuaries, tram and pencil museums, show caves and stone circles. I got excited just typing that. It’s also very good, not perfect, but something that I am more than happy to recommend to anybody who likes the idea of a film that combines sudden death and National Trust properties.

Angry Tina and ginger faced Chris are a couple of downtrodden misfits who set out on a ‘sexual odyssey’/ road trip across the North of England.  In a caravan. Compulsive knitter Tina (Alice Lowe) is happy to escape her oppressive and manipulative mother, who blames her for the death of their beloved dog, Poppy. Heavily bearded plastics nerd Chris (Steve Oram) is apparently writing a book, and Tina is to be his muse. As they set off, Tina says ‘show me your world’, barely realising that Chris’ world is a strange and violent one, and that he uses murder as a way of getting his own back on litterers, snobs and people who are more successful than him.

Mordantly funny, extravagantly bloody, the film was scripted by Lowe and Oram but many of the scenes are improvised, and this lends immediacy and realism to the film, an approach consolidated by director Ben Wheatley, who shoots on the hoof, capturing some wonderful scenery and, in particular, some truly awful weather, both of which add immeasurably to both the veracity and the atmosphere (it never rains, but it pours, and when it isn’t pouring, it’s hailing). It’s rare to see Britain presented like this, but I like it: the banality and beauty of our sceptered isle in all its damp glory – an ancient and primeval landscape criss crossed by motorways and studded with brown heritage road signs indicating points of (selective) interest.  

If you’ve ever wanted to see a woman write a letter with a four foot long pencil, or see crotchless knitted lingerie, then you won’t be disappointed. A great little film, I love it.

Incidentally, Ben Wheatley’s next film is called ‘A Field In England’, and is, apparently, a tale of hallucogenic drugs and necromancy set during the English Civil War. I can’t wait.

Sightseers







Sunday, 8 January 2012

Hit List


I'm not going to say too much about 'Kill List' simply because I'm still trying to work it out and, most importantly, because I think you should see it (if you have a strong stomach - it's very violent) and experience what I did. I mean, I watch a couple of hundred horror films a year for fun and although 'Kill List' isn't perfect, it achieved something I no longer thought possible: it made me feel frightened.

Here's the trailer. It won't tell you much.


Kill List