Showing posts with label 2012. Show all posts
Showing posts with label 2012. Show all posts

Saturday, 20 April 2013

Death Has A Ginger Beard


‘Sightseers’ is, in many ways, the perfect ‘Island of Terror’ film. It’s dark and funny and its locations are camp sites, roadside cafes, ruined abbeys, viaducts, slate mines, owl sanctuaries, tram and pencil museums, show caves and stone circles. I got excited just typing that. It’s also very good, not perfect, but something that I am more than happy to recommend to anybody who likes the idea of a film that combines sudden death and National Trust properties.

Angry Tina and ginger faced Chris are a couple of downtrodden misfits who set out on a ‘sexual odyssey’/ road trip across the North of England.  In a caravan. Compulsive knitter Tina (Alice Lowe) is happy to escape her oppressive and manipulative mother, who blames her for the death of their beloved dog, Poppy. Heavily bearded plastics nerd Chris (Steve Oram) is apparently writing a book, and Tina is to be his muse. As they set off, Tina says ‘show me your world’, barely realising that Chris’ world is a strange and violent one, and that he uses murder as a way of getting his own back on litterers, snobs and people who are more successful than him.

Mordantly funny, extravagantly bloody, the film was scripted by Lowe and Oram but many of the scenes are improvised, and this lends immediacy and realism to the film, an approach consolidated by director Ben Wheatley, who shoots on the hoof, capturing some wonderful scenery and, in particular, some truly awful weather, both of which add immeasurably to both the veracity and the atmosphere (it never rains, but it pours, and when it isn’t pouring, it’s hailing). It’s rare to see Britain presented like this, but I like it: the banality and beauty of our sceptered isle in all its damp glory – an ancient and primeval landscape criss crossed by motorways and studded with brown heritage road signs indicating points of (selective) interest.  

If you’ve ever wanted to see a woman write a letter with a four foot long pencil, or see crotchless knitted lingerie, then you won’t be disappointed. A great little film, I love it.

Incidentally, Ben Wheatley’s next film is called ‘A Field In England’, and is, apparently, a tale of hallucogenic drugs and necromancy set during the English Civil War. I can’t wait.

Sightseers







Saturday, 16 March 2013

The Equestrian Vortex








The film that Gilderoy (I forgot to mention, the Toby Jones character’s name is Gilderoy) is working on is a dark, witchy horror called ‘The Equestrian Vortex’. Its title sequence is brilliantly realised by ‘Focus Group’ man and design giant Julian House, with music from the wonderful, though sadly depleted, Broadcast. If it were any more hauntological, you’d be a ghost.

Friday, 15 March 2013

It Must Have Been The Magpies



We live in a slightly impoverished age in terms of cinema. It’s not a crisis, it’s not the end of anything, it’s just a phase that the art form goes through from time to time. It’ll come good. In the meantime, films like ‘Berberian Sound Studio’ are precious commodities, works that are ambiguous in their purpose and meaning without being wilfully obscure; films that require something from the viewer rather than just ten quid and a couple of hours of neutral brain activity.

The ‘story’ is simple: in the 1970’s, an English Foley artist (sound designer) comes to Italy to work on an horror film. Already neurotic, the experience disturbs his mind and he slowly goes mad. I think. As I say, it’s ambiguous in purpose and meaning. What is great about the film is its careful design, palette and attention to detail (the setting is rendered superbly, and it’s like porno for fans of vintage film making and analogue equipment); its enigmatic, episodic structure, and, in particular, a strong central performance from Toby Jones   



Toby Jones is, of course, the son of Freddie Jones which already makes him a firm favourite on ‘The Island’. Aside from that, he’s also a fine (and busy) actor. Here, his weary, crumpled face and haunted eyes perfectly convey his increasing disconnection from reality, an estrangement exacerbated by home sickness and some superbly banal / terrifying letters from his loving Mother.

Many people jumped on the film as an instant masterpiece, but I think this is more indicative of the slim pickings of the age (see above) and that very human desire to ostentatiously ‘get’ difficult material. I think it’s a good film, and an extremely interesting one. I’m going to watch it again a few times before I make my final judgement, though. Fancy that, a film which doesn’t give up all its secrets in the first ten minutes. How marvellous. 

Berberian Sound Studio







Sunday, 11 November 2012

Let's Dance

Regular readers of this weblog will know that I am a big Scott Walker fan. I'm so grateful that he is releasing music again, even if it isn't always quite the sort of music I'd like, if you know what I mean. He's the artist, however, and I'm just a fellow who buys all his stuff so I follow his instructions, not the other way around.

Scott has a new album out on December 3rd called 'Bish Bosch', which made me laugh. It's going to be another challenging listen, I'm sure, but what I've heard so far sounds great and this track - 'Epizootics!' - is extraordinary. Make sure you listen to it all.




Welcome back again, Mr. Engel.

Thursday, 1 November 2012

Revelations

Things I learned about Joe Meek from watching the BBC4 documentary 'Chas & Dave: Last Orders'...





It gets worse...


Hard to take, especially as I was still reeling from this bombshell...
  


All these little phrases are spinning around in my head now, like when Homer Simpson got that job on the Monorail.

Thursday, 9 August 2012

Mary, Deer


We don't post much new music here on The Island, but that doesn't mean we don't listen to it. Mary Epworth is primarily a folk artist, but specialises in connecting to an especially creepy, occasionally Black Sabbath infused ancient weirdness  - less finger in the ear, more Hand Of Glory.

Sunday, 1 April 2012

Look Who's Back...





One of the benefits of having a bit of time off is watching films and television programmes that don't normally wash up on 'The Island' and, occasionally, being surprised by them.

Case in point: the new 'Napoleon Dynamite' cartoon, which is not only very funny but also pays tribute to our old friends Jason King / Peter Wyngarde in the form of Professor Koontz, Napoleon's ever so suave British science teacher.

It's good to be back. Oh, and don't forget that there's now This Is Not The Universe for all your non horror and smut related needs.

Sunday, 15 January 2012

Electronics Without Tears



Regular readers will know of my affection for all things Radiophonic / Electronic / Concrete, as well as my admiration for previously unsung genius, F.C Judd. Public Information have put together the first official compilation of Fred's groundbreaking work and you can get it here along with all the details you need (I found out more about Judd's work on my first visit than I'd learned over the last ten years on my own).




This is apparently the first instalment of a major retrospective, which is excellent news. 

Sunday, 1 January 2012

Happy New Year!








The people of Stonehaven, Aberdeenshire see in the New Year with a Fireball Festival. Participants (known as 'Swingers') make a package of flammable material which they then contain in chicken wire, attaching a wire handle. In the last minutes of December 31st, the packages are lit and paraded through the streets, the swinger whirling the fireball around them. It's quite spectacular, and a Health and Safety nightmare.

The meaning behind the ceremony is hotly (ho ho) debated, but it either signifies a plea to the Gods for continued sun, or the fire symbolises purification as one year ends and another begins. More here.

Happy New Year to all! & Happy Birthday to Island Of Terror, one year old today (that's seven in blog years).

I may not post every day in 2012, as that's a bit of a treadmill that I sometimes struggle to stay on, and I'm going to take a week off or so now, but please check back regularly or subscribe - there's a lot still to come, including, ulp, new films.

Paul (U-W)